Tag: Music: Sonic Youth

  • 40 Hours in 18 Images and 3 Songs

    The Duke Spirit

    Thursday Night, The Bijou Theatre, Knoxville, 9:40 – 10: 30 p.m.

    If I die having never seen PJ Harvey live, I will at least be able to tell my grandchildren that I saw Liela Moss and The Duke Spirit play their first ever show in Knoxville. Michael Smith has been keeping me up-to-date on all things Spirit-related for the last two years, and after experiencing Liela first-hand, up close and personal, I owe him one. She is such a rock star. In a town like Knoxville, where crowds for this kind of show typically number in the low hundreds, her energy and joy were a real treat. She never stopped playing to the last row of the balcony, even though when the spotlights dimmed, I’m sure she could see that the balcony was empty. From what I could tell, there were maybe only four or five other people there on Thursday night who had heard of The Duke Spirit, but by intermission there was a long line at their merch table and every conversation around me was about the band.

    The Duke Spirit at The Bijou Theatre in Knoxville

    The Duke Spirit at The Bijou Theatre in Knoxville

    The Duke Spirit at The Bijou Theatre in Knoxville

    The Duke Spirit at The Bijou Theatre in Knoxville

    Black Rebel Motorcycle Club

    Thursday Night, The Bijou Theatre, Knoxville, 10:50 p.m. – 12:00 a.m.

    The most pleasant surprise of my concert-going year in 2007 was seeing Morrissey. It had been a while since I’d last experienced a rock star extravaganza, complete with wardrobe changes and a light show. (I’m now convinced he’s the Tom Jones of Generation X.) But even Morrissey, at his posing, most calculated best, isn’t as committed to an aesthetic as are the guys in BRMC. Dressed in black and silhouetted by uplighting and a barrage of strobes, they pounded their way through about 70 minutes of music before I left. It was great fun to see a hard working power trio again — bassist Robert Levon Been and guitarist Peter Hayes are both impressive — but especially after The Duke Spirit, BRMC’s act felt too much like a pose. Live music should be fun, right?

    Black Rebel Motor Cycle Club at The Bijou Theatre in Knoxville

    Black Rebel Motor Cycle Club at The Bijou Theatre in Knoxville

    Black Rebel Motor Cycle Club at The Bijou Theatre in Knoxville

    Black Rebel Motor Cycle Club at The Bijou Theatre in Knoxville

    Sonic Youth

    Friday Night, City Hall, Nashville, 10:20 p.m. – 12:00 a.m.

    In a week or two I’m going to turn 36, and I felt it on Thursday night. The BRMC demographic, apparently, skews a bit younger. Which is one of the many reasons it was so much fun to see Sonic Youth just 24 hours later. Among the thousand or so people who packed the room at City Hall in Nashville was a healthy assortment of folks like me who bought Daydream Nation back when it was released, twenty years ago. I’d hoped we might get a surprise encore of their 2007 tour, when they played Daydream front-to-back, but, instead, we got three songs from it — “Hey Joni,” “Candle,” and “‘Cross the Breeze” — several from Rather Ripped (I still really love “Reena”), and an assortment of older material. I’m not complaining. I’m sure that if I had the opportunity to see Sonic Youth live every night for the rest of my life, I’d eventually skip a show or two, but not for some time. Being packed into a sweaty crowd, bouncing to that Sonic Youth noise, is a special kind of euphoria. Kim, Lee, and Thurston are all in their 50s now, so I figure I’ve got another decade or two in me.

    Sonic Youth at City Hall in Nashville

    Sonic Youth at City Hall in Nashville

    Sonic Youth at City Hall in Nashville

    Sonic Youth at City Hall in Nashville

    Sonic Youth at City Hall in Nashville

    Sonic Youth at City Hall in Nashville

    Last Year at Marienbad

    Saturday Afternoon, The Belcourt Theatre, Nashville, 12:00 p.m. – 1:40 p.m.

    One of my secret ambitions is to establish in Knoxville a theater like Nashville’s Belcourt. The last remaining independent theater in the city, The Belcourt is now run as a non-profit and offers a variety of film programming, live music, and drama. Notably, it is often the only theater in the southeast where audiences can see the newly-struck prints that play NYC, Toronto, Chicago, LA, and San Francisco. It’s where I saw Satantango a year-and-a-half ago and where, yesterday, I saw the same 35mm print of Resnais’ Last Year at Marienbad that played at the Castro in March. I’d seen Marienbad only one other time — seven or eight years ago when I was just beginning to discover European cinema. I remember thinking at the time, “Hmmmm, I wonder if it’s possible for a film’s drama to be located in the camera rather than in the performances?” It was that kind of breakthrough film for me. And I’m happy to say I’m no nearer to understanding it today.

    Last Year in Marienbad in 35mm

    Last Year in Marienbad in 35mm

    Last Year in Marienbad in 35mm

    Last Year in Marienbad in 35mm

  • Drunken Butterfly

    Drunken Butterfly

    Or, Random Observations Provoked by Seeing Sonic Youth Live for the First Time:

    • Sonic Youth’s show in Asheville, NC this past weekend seems to have served two purposes for the band: It was a logical stop on I-40 as they made their way west toward that music festival over in Manchester, and it gave them another chance to road test material from Rather Ripped.
    • Lee Ranaldo, apparently, is most in need of the practice. I noticed him laughing to himself several times as he fumbled his way through a couple of the new songs. They played all but one or two of them, and a couple really came to life. “Pink Steam,” “Turquoise Boy,” and “Rats” were probably the highlights.
    • I’ll likely never get a chance to see Spinal Tap play “Big Bottom” live, but I’ve now seen Thurston Moore, Kim Gordon, and Mark Ibold all play bass on “Eric’s Trip.”
    • That spinning, rocking, jumping-jacks thing Kim Gordon does? She could totally put out a “Rad Mother” workout video. I’ve now seen her calves from about ten inches away, and, I’m telling you, they belong on a woman half her age. 53? Are you kidding me?
    • Drunken Butterfly” (mp3) was the best three-and-a-half minutes of my concert-going life.
    • I need to go to more shows that risk permanently damaging my hearing. Bad for the ears, good for the soul.
    • Damn, that was fun.
  • Catching Up

    It’s been way too long since I’ve rambled about the banal details of my day-to-day life.

    Last Friday, five minutes or so after finishing my paper, I hopped in the car and drove to Atlanta for the SAMLA conference. There’s nothing like an opening-night reception to remind me of just how little I’ve evolved socially since the 7th grade, when I would spend both hours of every Friday-afternoon, middle-school dance with my back pressed against a wall, drinking punch and watching Motley Crue and Cyndi Lauper videos on the front-projection TV. Fortunately, conference receptions come with free drink tickets, so that’s something. Also, the reception was held in the same room as the bookdealer displays, which was nice. If I happen to make my way to a party at your house some night, and if you happen to lose sight of me, chances are I’ll be found standing alone in front of your bookshelf and/or CD/DVD collection. Browsing. Given a choice between thumbing through your books or making small talk in a room full of strangers, I’ll take the books. Every. Time.

    While sipping my second glass of wine, I did my best to affect the look of someone waiting for that old friend I had arranged to meet — you know, staring intently across the room, even rocking forward onto my toes from time to time for a better vantage — but apparently I failed miserably. Midway through my glass, a young woman made a beeline for me, introduced herself, and told me she was alone and had decided to talk to me because I was so obviously also alone. And thank god she did. I’m not socially inept. I pride myself, in fact, on being a decent conversationalist. Not shy, but introverted. A one-on-one conversation, instigated by the other person — that’s where I shine. We chatted for about twenty minutes, then I left to grab some dinner at the Thai place connected to the hotel. My pad thai, by the way, smelled like a horse stall. This is the second time I’ve ordered pad thai while attending a conference (the other was in Boulder) and received a meal that reeked of hay and horse. Am I missing something?

    The conference panel was a lot of fun. Chuck paired my paper on In the Bathtub of the World with a presentation by two faculty members at a small liberal arts college, where a group of in-coming freshmen had recently made a documentary about their transition to college life. The presenters were especially interested in the “real” lives of people coming of age in an era of total media saturation, and they seemed to equate the power of autobiographical storytelling with “agency.” Their presentation complimented mine well, I think, and led to a thoughtful and friendly discussion afterwards.

    By the time I got home Saturday afternoon, Joanna had already left on a short trip to Nashville, leaving me bored and alone with the house to myself. Remember what I was just saying about my propensity for browsing through shelves? Yeah, I spent almost the entire evening at the local new/used indie music store, quite literally browsing through their entire inventory. I picked up three CDs:

    Tiny Cities by Sun Kil Moon — Okay, it wasn’t until I got home that I discovered that this is a collection of Modest Mouse covers. Not that it would have mattered much. At this point, Mark Kozelek could put out an album of improvised readings from the phone book and I’d buy it. If I could sing like that, I’d never talk.

    Goo by Sonic Youth — I first bought Goo a week or two after it was released in 1990. I bought it then for two reasons: 1. David Fricke gave it a 4-star review in Rolling Stone, and from roughly 1987-1992 I shaped my taste by reading every issue of Rolling Stone from cover to cover. 2. Late one night I caught the video for “Kool Thing” on MTV (can you imagine?). I just sat there for four minutes and six seconds trying to make sense of what I was seeing and hearing. I’m not sure when I sold my copy of Goo, though I suspect it was probably some day in 1993 or 1994, when I, like, really needed that new Widespread Panic album. Yep. Anyway, I’ve been meaning to rebuy Goo ever since I watched Irma Vep and had my mind blown again, this time by “Tunic (Song for Karen).” Sunday night, as soon as Joanna got home, I took her out to dinner just so we could drive around town listening to “Tunic” really loud.

    (Edit: I just found a nice collection of photos of Sonic Youth and Cat Power. Kim Gordon and Chan Marshall. Be still my beating heart. Oh, and also new videos from Chan and Bonny ‘Prince’ Billy — both from Truckstop Media.)

    Blow Up (Original Soundtrack) by Herbie Hancock (also featuring The Yardbirds and Tomorrow) — What a find! And for only $7.99! This album is top-to-bottom great, but “The Naked Camera” is two or three steps beyond great. After Joanna’s parents passed away last year, we bought this absurd house in a community where we’ve lowered the average age by a good decade or two. In January we’ll be hosting a “gourmet club” party, and I’m already working on the 5-CD mix of music that will be shuffling randomly throughout the evening. Most of Blow Up will make it. “The Naked Camera” might be side 1, track 1.

    Let’s see. What else?

    Yesterday my car got booted by the fascists from a local wrecker service. They extorted $75 from me despite the fact that I had, as a matter of principle, paid my $3 for all-day parking. The thieving bastards. I don’t know how they sleep at night.

    Oh, and we’ve officially launched the website for the up-coming NEXUS conference, hosted by UT’s Graduate Students in English. I have to say I’m rather proud of the site design. If you shuffle through all of the title images, you might notice I’ve dropped in an allusion to my dissertation: the Angel Bethesda statue that features prominently in Angels in America. The topic this year is “Religion and Nation,” and the committee has scored a keynote address from John D. Caputo. Academics out there, be sure to check out the call for papers. (Hey, The Weblog gang, I’m talking to you.)

  • Fun with Hipsters

    I invented a new game last night. It’s called, “Buy the only used copy of Sonic Youth’s Daydream Nation at your local indie record shop, then watch all hell break loose when you lay it down on the checkout counter.” Not the catchiest title, I know, but sometimes it helps to be literal. The first round went something like this:

    Saleshipster 1: Oh, man, excellent choice. Great, great record.

    Me: No kidding. Lotsa good music for not much money.

    S1: True. This might just be my all-time favorite album. Top ten, no doubt.

    [Overhearing this, the other saleshipsters behind the counter turn quickly to join the game.]

    Saleshipster 2: Daaaaydreeeeeeam Nation.

    Saleshipster 3: I was here when that was returned. I gave that dude so much crap.

    S2: [Now with some energy] Who sells Daydream Nation? Who does that? I mean…

    S3: He said he “didn’t get it.”

    S1 and S2 [in unison]: No shit.

    S3: “Too many swirling guitars.”

    S2: [Now incredulous] Swirling guitars? Swirling guitars? What does that mean, you know? [With contempt, and under his breath] Swirling guitars.

    All the while, Saleshipster 1 was ringing up the rest of my purchases: The Pernice Brothers’ World Won’t End (“another great one”), Morrissey’s You are the Quarry (“of course, I mean, you’ve got to get this one”), Elton John’s Captain Fantastic & Brown Dirt Cowboy (no comment, the snob). Saleshipster 1 and Saleshipster 3 were still consoling Saleshipster 2 when I left.

    By the way, don’t tell Morrissey that I was able to pick up a used copy of his new album. The guy’s got enough problems. Somebody needs a hug.