Tag: Director: Egoyan
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Because every kid needs a . . .
The Sweet Hereafter play set.
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2009 SFIFF Diary 1
Atom Egoyan’s Adoration and Catherine Breillat’s Bluebeard.
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Calendar (1993)
Made for German television and with a budget of only $100,000, Calendar is one of the most compelling and stylistically inventive films I’ve seen this year.
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Grace, Too
It’s something about that bass line and the way that Gord Downie unleashes the line, “Armed with will and determination / And grace, too,” that rips me up.
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The Sweet Hereafter (1997)
There’s a scene in The Sweet Hereafter in which Mitchell Stephens — a big city ambulance chaser played to perfection by Ian Holm — sits in a cramped airplane seat, telling the passenger beside him a story from when his daughter, Chloe, was a child.