Category: Song of the Moment
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Dream to the Rhythm
A brilliant Grace Jones and David Bowie mashup.
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Riff Raff
I bought Powerage rather than one of the other, more obvious choices because it includes “Riff Raff,” hands-down my favorite AC/DC song. There’s much to love about this song — the opening crescendo, Angus’s riffs, the driving 8th-note bassline, the unimpeachable beauty of a 3-chord song
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Seven Songs
The Seven Songs “Boots of Spanish Leather” by Bob Dylan “Inside a Boy” by My Brightest Diamond “Spirits (Having Flown)” by Bee Gees “A Letter to Both Sides” by The Fixx “Elegie in C Minor, Op. 24” by Gabriel Faure “Tel Que Tu Es” by Charlotte Gainsbourg “Revolution Earth” by The B-52s Bob Dylan Professor […]
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Vermicide
“I think it’s Mars Volta. . . . Rush for the new millennium.”
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By the Time It Gets Dark
First great show of 2007: Lambchop and Yo La Tengo. Unfortunately, YLT’s last visit to Knoxville was memorable for reasons having little to do with the amazing music that was played that night. But they came back anyway, God bless ’em, and this time they played to a large and rapt audience at the Bijou. […]
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Mix: Needle Drops
This mix began with a single iTunes download. My all-time favorite needle drop accompanies my favorite sequence in what also happens to be my favorite film, Andrei Tarkovsky’s Mirror.
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Waist Deep in the Big Muddy
William Wyler’s The Big Country (1958) is one of those westerns about men proving themselves in the unforgiving and sublime conditions of the American southwest.
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Aimee Mann at the Bijou
I’d brought along Joanna’s bite-sized Sony Cyber-shot camera in hopes of getting some decent stills, but the light was too low (even from the third row) and, as a result, all of the photos were streaked by motion blurs. So, instead, I experimented with the video capture, and I’m really pleased with the results — especially with the sound.
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The Origin of Love
This is the second time “The Origin of Love” has been a Long Pauses Song of the Moment. Again, I was inspired by seeing a live performance of Hedwig and the Angry Inch — this time here in our own “scruffy little city,” Knoxville, Tennessee. K-Town did me proud. The Actors Co-op’s production is funnier, […]
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Inner City Blues
If I’m remembering theory notation correctly, the change for “Inner City Blues” is i-IV. Two chords. It opens with twenty-four straight measures of the minor root before finally changing to the major IV, where it stays for all of four measures before returning to the root. Would have bored me senseless a decade ago; now, I’ll be damned if that change ain’t transcendent. The song is a chant-like, soul-filled lamentation. An angry prayer.
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Silence (and a New Mix)
I had two main goals with this mix. First, I decided to divide it evenly between older and newer music. There’s always a jump of at least 15 years from tune to tune. But I also wanted the mix to be coherent, so I was looking for a tone that could maybe be described as “Songs that might actually sound better if they were played on an old, hissing record player.”
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Everything is Copasetic, Now
At Girish’s request, I’ve pasted together a mix of music that features the Fender Rhodes.
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Also Sprach Zarathustra
I only know of Deodato because of Being There (1979). Hal Ashby drops his needle on “Zarathustra” during the long sequence near the beginning of the film when Chance leaves his now-dead employer’s estate and wanders, umbrella and suitcase in hand, through the streets of Washington, D.C.
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A Good Man is Hard to Find
Sufjan Stevens’ recent performance on Morning Becomes Eclectic is now available in streaming video. It’s a fantastic set.
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Goodnight for Real
In a relatively short time Beauty Pill has gone through a few members, and with a couple singers and songwriters in the band there is a surprising amount of variety on display. The Song of the Moment, “Goodnight For Real” is representative only in that it features clever lyrics, solid playing (including some fun synth parts), and a really catchy chorus.
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Ten Years Gone (and other things)
I’m afraid that Long Pauses is fast becoming an outlet for end-of-the-week rambles, written while I drink away a Friday afternoon. The following is an incomplete list of topics I would cover at much greater length and with much greater insight given the time, energy, and inclination.
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Safeway Cart
The new Song of the Moment, Neil Young’s “Safeway Cart,” scores a scene in which the Legionnaires march through a rocky desert, one of their many meaningless exercises in the film. It plays like a dirge and is one of Beau Travail’s few explicit references to the Christian allegory at play.
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Missing
“Missing” won Song of the Moment honors in a close race with “Black Tambourine” and “Hell Yes,” both of which, it must be said, are even more ass-shaking than “Missing” but not quite as perfect. All three sound even better in multi-channel.
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Evening on the Ground
Joanna and I just made what we hope will be the last of many recent trips to southern Alabama. It was another rough one — the type of experience that is supposed to give us “closure.” Everytime someone says that to me (and always with the best intentions, I know), I think of Philip Roth’s […]
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Riff Raff
The Song of the Moment was supposed to be Mark Kozelek’s version of “Riff Raff” from What’s Next to the Moon, his album of Bon Scott-era AC/DC covers. Something in that combination of Kozelek’s voice and his tasteful acoustic guitar arrangements unearths the roots in AC/DC’s rock. That album is borderline bluegrass–not the arrangements or […]
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Strange Waters
I asked Bruce about “Strange Waters” yesterday, and his answer was a tense, beautiful sermon.
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God Rest His Soul
iTunes just landed on “God Rest His Soul” by The 31st of February, which was a happy coincidence given the content of yesterday’s post. Recorded in 1968, it’s a beautiful prayer for Martin Luther King, Jr., sung by Greg Allman of all people.
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Captain Fantastic and the Brown Dirt Cowboy
Yeah, I know. There’s nothing less hip than Elton John, but while walking through Toronto last month, my iPod randomly landed on “Captain Fantastic and the Brown Dirt Cowboy,” and it was, at that moment, the single greatest song I had ever heard.
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La Villa Strangiato
“Listen to this song,” he told us. “It’s the coolest.” Robbie was something of an authority on such things, and so I listened. Intently. Sitting stone upright on Dave’s bed. And Robbie was right. It was most definitely the coolest. This wicked keyboard sound introduced a simple, shuffling drumline.
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The Shadowlands
I would like to play piano/keyboards in a rock band, and I would like that band to sound as much as possible like Ryan Adams’ “The Shadowlands.” I would also be perfectly content if it sounded like “Political Scientist” or “English Girls Approximately” or almost any other track from Love is Hell.
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Snow
Since watching Caveh Zahedi’s In the Bathtub of the World on Sunday, I have probably listened to The Innocence Mission’s “Snow” thirty times. Hopefully I’ll find time to write about Bathtub in the next day or two. It’s been a long time since I was so moved by a film.
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Tombigbee
If you’re too hip to like Tori, do me a favor and tell me what you think of this song. It’s a nice change of pace for her. No acoustic piano. A bit of distortion. Borderline lo-fi.
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Bartok’s Fifth String Quarter
Several years ago, in a seminar on modern and postmodern lit, I wrote a fun paper on Ezra Pound’s music criticism. In particular, I was interested in Pound’s admiration for Bartok’s String Quartet #5.
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Holland
It’s a heckuva song from Greetings from Michigan. I’ve added it and Stevens’ latest, Seven Swans, to my Amazon Wish List. Can anyone make a strong case for one album being better than the other? Any other Sufjan fans?
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Cucurrucucu Paloma
I’ve been meaning to post this one for some time now. I’m not sure how well “Cucurrucucu Paloma” will work for those of you who haven’t seen Almodovar’s Talk to Her, but I had to buy the soundtrack for this song alone. I just can’t imagine being able to sing like Caetano Veloso. I’d never talk again.